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220922 ||| eng |
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|a 9780262372213
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020 |
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|a 9780262372206
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050 |
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4 |
|a ML3838
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100 |
1 |
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|a Jensenius, Alexander Refsum
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245 |
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|a Sound actions
|h Elektronische Ressource
|b conceptualizing musical instruments
|c Alexander Refsum Jensenius
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260 |
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|a Cambridge
|b The MIT Press
|c 2022
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653 |
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|a TECHNOLOGY & ENGINEERING / Acoustics & Sound
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653 |
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|a Musical instruments
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653 |
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|a MUSIC / History & Criticism
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653 |
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|a MUSIC / Instruction & Study / Theory
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653 |
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|a Musical perception
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653 |
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|a Music / Performance / Psychological aspects
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653 |
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|a Music / Psychological aspects
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041 |
0 |
7 |
|a eng
|2 ISO 639-2
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989 |
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|b MITArchiv
|a MIT Press eBook Archive
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028 |
5 |
0 |
|a 10.7551/mitpress/14220.001.0001
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776 |
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|z 9780262544634
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856 |
4 |
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|u https://doi.org/10.7551/mitpress/14220.001.0001?locatt=mode:legacy
|x Verlag
|3 Volltext
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082 |
0 |
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|a 781.1/1
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520 |
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|a "This is a theoretical music technology book, influenced by new research in embodied music cognition. The main focus is on musical instruments and how they shape our experiences of music"--
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