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|a 978-88-6655-311-3
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|a 9788892737310
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|a 9788866553113
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|a Tottossy, Beatrice
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|a Ungheria 1945-2002. La dimensione letteraria
|h Elektronische Ressource
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| 260 |
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|a Firenze
|b Firenze University Press
|c 2012
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| 300 |
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|a 221 p.
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|a ita
|2 ISO 639-2
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| 989 |
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|b OAPEN
|a OAPEN
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|a Biblioteca di Studi di Filologia Moderna
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/3.0/
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|a 10.36253/978-88-6655-311-3
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|u https://library.oapen.org/handle/20.500.12657/55002
|z OAPEN Library: description of the publication
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|u https://library.oapen.org/bitstream/id/906cc55b-0fcd-4d23-9c99-625faa6f033e/9788866553113.pdf
|x Verlag
|3 Volltext
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| 520 |
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|a The 2002 Nobel Prize to Imre Kertész is a symptom: Hungary is now weltliterarisch. The historical process – which has seen Hungarian writers working since the 1970s to gain ontological autonomy for their field, to write in a language that is not mendacious, to go beyond the 'modern' of real socialism to a 'postmodern' in which reality is not "described", but "employed", and to anthropic ends – is at a standstill, it is greeted abroad as a common heritage. According to Ungheria 1945-2002. La dimensione letteraria – which concludes a prolonged period of analytical work (see Scrivere postmoderno in Ungheria, 1995, and Scrittori ungheresi allo specchio, 2003) – the Hungarian contribution to the contemporary era lies in its sense for this anthropic function of literature (even though the context now seems to want to thwart this effort).
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