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220825 ||| eng |
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|a 9781841505008
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| 100 |
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|a MacDonald, James
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| 245 |
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|a Carnival Texts
|h Elektronische Ressource
|b Three plays for ensemble performance
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| 260 |
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|a Bristol
|b Intellect
|c 2011
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| 653 |
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|a Theatre studies
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| 653 |
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|a Arts
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b OAPEN
|a OAPEN
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| 500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode
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| 856 |
4 |
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|u https://library.oapen.org/bitstream/id/8defbd6b-7f3b-4157-8b98-b5ee5336154a/1004841.pdf
|x Verlag
|3 Volltext
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| 856 |
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|u http://library.oapen.org/handle/20.500.12657/25253
|z OAPEN Library: description of the publication
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| 082 |
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|a 700
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| 520 |
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|a Carnival Texts comprises three related dramatic works, all of which have as their point of departure Russian theorist Mikhail Bakhtin’s concept of carnival, a literary style designed to subvert dominant assumptions through chaos and humour. Making creative use of post-Brechtian performance theory, these texts blur the distinction between spectator and performer in a fascinating exploration of physical, moral, and cultural upheaval in a postmodern age. Performance theory is crucial to understanding how performance affects collective understanding, and this book will be of interest to a broad range of students of drama and theatre.
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