Confucian image politics masculine morality in seventeenth-century China
During the Ming-Qing transition (roughly from the 1570s to the 1680s), literati-officials in China employed public forms of writing, art, and social spectacle to present positive moral images of themselves and negative images of their rivals. The rise of print culture, the dynastic change, and the p...
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| Format: | eBook |
| Language: | English |
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Seattle
University of Washington Press
2016, 2016
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| Edition: | First edition |
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| Online Access: | |
| Collection: | JSTOR Open Access Books - Collection details see MPG.ReNa |
Table of Contents:
- Part I. The Late Ming
- Lists, literature, and the Imagined Community of Factionalists: the Donglin
- Displaying Sincerity: the Fushe
- A Zhongxiao Celebrity: Huang Daozhou (1585-1646)
- Interlude: A Moral Tale of Two Cities, 1644-1645: Beijing and Nanjing
- Part II. The Early Qing
- Moralizing, the Qing Way
- Conquest, Continuity, and the Loyal Turncoat
- Includes bibliographical references and index