|
|
|
|
| LEADER |
03226nam a2200493 u 4500 |
| 001 |
EB002053506 |
| 003 |
EBX01000000000000001197172 |
| 005 |
00000000000000.0 |
| 007 |
tu||||||||||||||||||||| |
| 008 |
220823 r ||| eng |
| 020 |
|
|
|z 0822354020
|
| 020 |
|
|
|a 0822354020
|
| 020 |
|
|
|z 9780822354185
|
| 020 |
|
|
|a 9780822354185
|
| 020 |
|
|
|a 0822399067
|
| 020 |
|
|
|a 9780822399063
|
| 020 |
|
|
|z 9780822354024
|
| 020 |
|
|
|a 9780822354024
|
| 020 |
|
|
|a 1299400922
|
| 020 |
|
|
|a 9781299400924
|
| 020 |
|
|
|z 0822354187
|
| 020 |
|
|
|a 0822354187
|
| 050 |
|
4 |
|a PN1992.77.M226
|
| 100 |
1 |
|
|a Goodlad, Lauren M. E.
|e [editor]
|
| 245 |
0 |
0 |
|a Mad men, mad world
|h Elektronische Ressource
|b sex, politics, style, and the 1960s
|c Lauren M.E. Goodlad, Lilya Kaganovsky, Robert A. Rushing, editors
|
| 260 |
|
|
|a Durham
|b Duke University Press
|c 2013, 2013
|
| 300 |
|
|
|a 433 pages
|b illustrations
|
| 505 |
0 |
|
|a Includes bibliographical references and index
|
| 505 |
0 |
|
|a Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early 1960s : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of reproductive history in Mad Men / Leslie J. Reagan -- The writer as producer; or, The hip figure after HBO / Michael Szalay -- The shock of the banal : Mad Men's progressive realism / Caroline Levine -- Mod men / Jim Hansen -- Swing skirts and swinging singles : Mad men, fashion, and cultural memory / Mabel Rosenheck -- Against depth : looking at surface through the Kodak carousel / Irene V. Small -- "It will shock you how much this never happened" : Antonioni and Mad men / Robert A. Rushing -- Media madness : multiple identity (dis)orders in Mad men / Lynne Joyrich -- "Maidenform" : Masculinity as Masquerade / Lilya Kaganovsky -- History gets in your eyes : Mad men, misrecognition, and the masculine mystique / Jeremy Varon -- The homosexual and the single girl / Alexander Doty -- Mad men's postracial figuration of a racial past / Kent Ono -- The mad men in the attic : seriality and identity in the modern Babylon / Lauren M.E. Goodlad -- Change is gonna come, same as it ever was / Michael Bérubé
|
| 651 |
|
4 |
|a United States / fast
|
| 653 |
|
|
|a Politik / Motiv
|
| 653 |
|
|
|a Mad men (Television program)
|
| 653 |
|
|
|a Rassendiskriminierung / Motiv
|
| 653 |
|
|
|a Geschlechterrolle / Motiv
|
| 653 |
|
|
|a Mad Men
|
| 653 |
|
|
|a PERFORMING ARTS / Television / History & Criticism
|
| 700 |
1 |
|
|a Kaganovsky, Lilya
|e [editor]
|
| 700 |
1 |
|
|a Rushing, Robert A.
|e [editor]
|
| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
|
| 989 |
|
|
|b ZDB-39-JOA
|a JSTOR Open Access Books
|
| 500 |
|
|
|a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002
|
| 856 |
4 |
0 |
|u https://www.jstor.org/stable/10.2307/j.ctv120qtws
|x Verlag
|3 Volltext
|
| 082 |
0 |
|
|a 791.45
|
| 520 |
|
|
|a In this comprehensive analysis of the TV series Mad Men, scholars explore the groundbreaking drama in relation to fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format
|