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02902nma a2200685 u 4500 |
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EB002049412 |
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EBX01000000000000001193078 |
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220822 ||| eng |
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|a 9783631800690
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|a 9783631804865
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|a b16258
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|a 9783631804841
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|a 9783631804858
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1 |
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|a Literska, Barbara
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|a Nineteenth-Century Transcriptions of Works by Fryderyk Chopin
|h Elektronische Ressource
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260 |
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|a Bern
|b Peter Lang International Academic Publishing Group
|c 2020
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300 |
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|a 1 electronic resource (310 p.)
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653 |
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|a Musical transcriptions
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653 |
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|a Musica
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653 |
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|a 2005
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653 |
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|a Century
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653 |
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|a Musical scores, lyrics and libretti / bicssc
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653 |
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|a Chopina
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653 |
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|a Iagellonica
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653 |
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|a History: specific events and topics / bicssc
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653 |
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|a Salon music
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653 |
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|a Trivial music
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653 |
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|a Chopin
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653 |
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|a Kraków
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653 |
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|a Chopin's reception
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653 |
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|a Music reviews and criticism / bicssc
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653 |
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|a transkrypcje
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653 |
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|a Composers and songwriters / bicssc
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653 |
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|a Dziewiętnastowieczne
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653 |
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|a Transcriptions
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653 |
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|a Fryderyk
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653 |
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|a Works
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653 |
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|a Musicians, singers, bands and groups / bicssc
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653 |
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|a Music: styles and genres / bicssc
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653 |
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|a Nineteenth
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653 |
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|a Chopin in Wroclaw
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653 |
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|a Theory of music and musicology / bicssc
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653 |
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|a 19th
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653 |
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|a The systematics of transcriptions
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653 |
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|a Literska
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653 |
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|a Fryderyka
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653 |
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|a utworów
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041 |
0 |
7 |
|a eng
|2 ISO 639-2
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989 |
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|b DOAB
|a Directory of Open Access Books
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490 |
0 |
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|a Eastern European Studies in Musicology
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500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0
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028 |
5 |
0 |
|a 10.3726/b16258
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856 |
4 |
2 |
|u https://directory.doabooks.org/handle/20.500.12854/78414
|z DOAB: description of the publication
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856 |
4 |
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|u https://library.oapen.org/bitstream/20.500.12657/52984/1/9783631804841.pdf
|7 0
|x Verlag
|3 Volltext
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082 |
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|a 900
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|a 340
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|a 780
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|a This book is the first monographic study of nineteenth-century transcriptions of Chopin's music. The work is based on the quantitatively and qualitatively rich source material, which formed the basis for considerations from the perspective of social history, music analysis and aesthetics. Thanks to these multiple perspectives, as well as the time range and the source base, this study may contribute to the history of the reception of Chopin's work in nineteenth-century culture; it may also prove significant in overcoming the attitude that aesthetically deprecates transcriptions and in adopting a different stance, regarding such adaptations as valuable texts of musical culture.
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