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220822 ||| eng |
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|a 9780472073726;9780472053728
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|a mpub.9731616
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100 |
1 |
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|a Yueh-yu Yeh, Emilie
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245 |
0 |
0 |
|a Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories
|h Elektronische Ressource
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260 |
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|a Ann Arbor
|b University of Michigan Press
|c 2018
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300 |
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|a 1 electronic resource (365 p.)
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653 |
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|a Media
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653 |
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|a thema EDItEUR::A The Arts::AF The Arts: art forms::AFK Non-graphic and electronic art forms::AFKV Digital, video and new media arts
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653 |
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|a thema EDItEUR::A The Arts::AB The arts: general topics
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700 |
1 |
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|a Yueh-yu Yeh, Emilie
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041 |
0 |
7 |
|a eng
|2 ISO 639-2
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989 |
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|b DOAB
|a Directory of Open Access Books
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500 |
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|a Creative Commons (cc), https://creativecommons.org/licenses/by-nc-nd/4.0/
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028 |
5 |
0 |
|a 10.3998/mpub.9731616
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856 |
4 |
2 |
|u https://directory.doabooks.org/handle/20.500.12854/31044
|z DOAB: description of the publication
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856 |
4 |
0 |
|u https://library.oapen.org/bitstream/20.500.12657/23991/1/1006143.pdf
|7 0
|x Verlag
|3 Volltext
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082 |
0 |
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|a 700
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520 |
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|a This volume features new work on cinema in early twentieth-century Hong Kong, Taiwan, and Republican China. Looking beyond relatively well-studied cities like Shanghai, these essays foreground cinema's relationship with imperialism and colonialism and emphasize the rapid development of cinema as a sociocultural institution. These essays examine where films were screened; how cinema-going as a social activity adapted from and integrated with existing social norms and practices; the extent to which Cantonese opera and other regional performance traditions were models for the development of cinematic conventions; the role foreign films played in the development of cinema as an industry in the Republican era; and much more.
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