Transnational Flamenco Exchange and the Individual in British and Spanish Flamenco Culture

This book provides insight into how flamenco travels, the forms it assumes in new locales, and the reciprocal effects on the original scene. Utilising a postnational approach to cultural identity, Martin explores the role of non-native culture brokers in cultural transmission. This concept, referred...

Full description

Bibliographic Details
Main Author: Martin, Tenley
Format: eBook
Language:English
Published: Cham Palgrave Macmillan 2020, 2020
Edition:1st ed. 2020
Series:Leisure Studies in a Global Era
Subjects:
Online Access:
Collection: Springer eBooks 2005- - Collection details see MPG.ReNa
LEADER 02310nmm a2200325 u 4500
001 EB001891191
003 EBX01000000000000001054544
005 00000000000000.0
007 cr|||||||||||||||||||||
008 200224 ||| eng
020 |a 9783030371999 
100 1 |a Martin, Tenley 
245 0 0 |a Transnational Flamenco  |h Elektronische Ressource  |b Exchange and the Individual in British and Spanish Flamenco Culture  |c by Tenley Martin 
250 |a 1st ed. 2020 
260 |a Cham  |b Palgrave Macmillan  |c 2020, 2020 
300 |a XIV, 296 p. 20 illus., 19 illus. in color  |b online resource 
505 0 |a 1. Introduction -- 2. An Overview of Flamenco and Globalisation -- 3. Sevilla: Local Scenes and Ex-Pat Communities -- 4. Madrid: The Consummate Professional Scene -- 5. Flamenca Britannica: One Foot in Andalucía -- 6. Connected by the Compás: An Analysis of Cultural Transmission between Spain and the UK. 
653 |a Culture 
653 |a Sport Sociology 
653 |a Dance 
653 |a Music 
653 |a Sports / Sociological aspects 
653 |a Sociology of Culture 
041 0 7 |a eng  |2 ISO 639-2 
989 |b Springer  |a Springer eBooks 2005- 
490 0 |a Leisure Studies in a Global Era 
028 5 0 |a 10.1007/978-3-030-37199-9 
856 4 0 |u https://doi.org/10.1007/978-3-030-37199-9?nosfx=y  |x Verlag  |3 Volltext 
082 0 |a 306,483 
520 |a This book provides insight into how flamenco travels, the forms it assumes in new locales, and the reciprocal effects on the original scene. Utilising a postnational approach to cultural identity, Martin explores the role of non-native culture brokers in cultural transmission. This concept, referred to as ‘cosmopolitan human hubs’, builds on Kiwan and Meinhof’s ‘hubs’ theory of network migration to move cultural migration and globalisation studies forwards. Martin outlines a post-globalisation flamenco culture through analysis of ethnographic research carried out in the UK, Sevilla and Madrid. Insight into these glocal scenes characterises flamenco as a historically globalized art complex,represented in various hubs around the world. This alternative approach to music migration and globalisation studies will be of interest to students and scholars across leisure studies, musicology, sociology and anthropology.