Trouble Songs: A Musicological Poetics
His music writing has appeared in Pitchfork, SF Weekly, The Rumpus, Fanzine, Coldfront, Humanities, and Jacket2. Poetry and prose have appeared in PEN America, Encyclopedia, Tarpaulin Sky, 1913: a journal of forms, and Gramma. A chapbook, trunc & frag, is at Our Teeth. His open-field concrete di...
Bad Luck, Blues Music, Bob Dylan, C.d. Wright (poet), Cat Power (singer), Country Music, David Bowie, David Lynch (filmmaker), Folk Music, Grievance, Jazz Music, John Ashberry, Kurt Wagner (singer), Leroi Jones, Loretta Lynn (singer), Loss, Marvin Gaye (singer), Morrisey (music Artist), Mourning, Music, Music Composition, Musicology, Poetics, Rock'n'roll Music, Roland Barthes, Songwriting, Trouble, William Carlos Williams
|Collection:||Directory of Open Access Books - Collection details see MPG.ReNa|
|Summary:||His music writing has appeared in Pitchfork, SF Weekly, The Rumpus, Fanzine, Coldfront, Humanities, and Jacket2. Poetry and prose have appeared in PEN America, Encyclopedia, Tarpaulin Sky, 1913: a journal of forms, and Gramma. A chapbook, trunc & frag, is at Our Teeth. His open-field concrete digital poem The Archiverse is documented at archiverse.net, and is anthologized in Electronic Literature Collection Volume 3. Other hybrid projects include Special America (with Claire Donato) and UnderAcademy College. He was a founding editor at Kitchen Sink, where he edited the Louder Than Words music section, and was editor in chief at LIT. He is a Visiting Instructor in the Architecture Writing and BFA Writing Programs at Pratt Institute, and a 2017–2018 Digital Studies Fellow at Rutgers University-Camden. Currently, he is at work on Janky Materiality, a poetics of digital language art and analog synth music. For more information, visit jefftjohnson.com.|
This space is a disjunction in time (and a superimposition of events) where singer and listener collaborate on meaning (un/)making as they temporarily transform trouble.Trouble Songs enacts its poetics with the use of footnote and body text as modular, contiguous, and porous fields of writing and imagination, a corollary for overlapping singer/listener roles. In effect, the footnotes sing along with (and trouble) each chapter, providing chorus and counterpoint to these Trouble Songs, as the compositional horizon between body and notes rises and falls. These cultural investigations suggest that the way we sing about trouble, and the way we receive those songs and cultural transmissions, says much about what preoccupies us spiritually and intellectually—what moves us and disturbs us, brings us together even as we keep some things to ourselves.ABOUT THE AUTHORJeff T. Johnson is a writer and cultural critic living in Philadelphia.
Trouble Songs is a hybrid serial work that tracks the appearance of the word “trouble” in 20th- and 21st-century American music. It reads (and sings) songs and poems, with reference to cultural events ranging from the death of a pop singer to the growth of popular resistance movements. The trouble singer invokes the word “trouble” in place of actual trouble—the song is a spell that conjures trouble (from bad luck and disaffection to infidelity, impotence, destitution, and the specter of death) in a temporary form that can be dis-spelled, if only for the length of the song. Singer and song also open a critical space for making trouble, for stirring the heart and mind.
|Physical Description:||1 electronic resource (204 p.)|