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180626 ||| eng |
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|a 9781845424275
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|a 9781843765899
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|a 9781845421472
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|a 1843765896
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4 |
|a HB615
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1 |
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|a Steyaert, Chris
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| 245 |
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|a Narrative and discursive approaches in entrepreneurship
|h Elektronische Ressource
|b a second movements in entrepreneurship book
|c edited by Daniel Hjorth and Chris Steyaert
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| 260 |
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|a Cheltenham, U.K
|b Edward Elgar
|c c2004
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| 300 |
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|a viii, 318 p
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| 653 |
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|a Entrepreneurship
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| 700 |
1 |
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|a Hjorth, Daniel
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b ZDB-1-EWE
|a Edward Elgar eBook Archive
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| 856 |
4 |
0 |
|u http://www.elgaronline.com/view/1843765896.xml
|3 Volltext
|x Verlag
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| 082 |
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|a 658.4/21
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| 520 |
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|a 1. The prosaics of entrepreneurship -- 2. A moment in time -- 3. Driven entrepreneurs : a case study of taxi owners in Caracas -- 4. "Going against the grain ..." : construction of entrepreneurial identity through narratives -- 5. Storytelling to be real : narrative, legitimacy building and venturing -- 6. The devil is in the e-tale : forms and structures in the entrepreneurial narratives -- 7. Crime and assumptions in entrepreneurship -- 8. The dramas of consulting and counselling the entrepreneur -- 9. Masculine entrepreneurship : the Gnosjö discourse in a feminist perspective -- 10. quilting a feminist map to guide the study of women entrepreneurs -- 11. Towards genealogic storytelling in entrepreneurship readings -- 12. Reading the storybook of life : telling the right story versus telling the story rightly -- 13. The edge defines the (w)hole : saying what entrepreneurship is (not) -- 14. Relational constructionism and entrepreneurship : some key notes
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| 520 |
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|a This is the second volume in a mini-series on movements in entrepreneurship. It aims to forward the study of entrepreneurship by stimulating and exploring new ideas and research practices in relation to new themes, theories, methods, pragmatic stances and contexts. The book explores different experiences and accounts of entrepreneurship, as well as reflections on "story telling" in entrepreneurship research, discursive studies, and debates on how to interpret narrative and discursive work
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