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161125 ||| eng |
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|a 9781137283528
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|a Ford, Hamish
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| 245 |
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|a Post-War Modernist Cinema and Philosophy
|h Elektronische Ressource
|b Confronting Negativity and Time
|c by Hamish Ford
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| 260 |
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|a London
|b Palgrave Macmillan UK
|c 2012, 2012
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| 300 |
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|a X, 284 p
|b online resource
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| 653 |
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|a Film and Television Studies
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| 653 |
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|a Cultural and Media Studies
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| 653 |
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|a Critical theory
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| 653 |
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|a Philosophy
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| 653 |
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|a Motion pictures and television
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| 653 |
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|a Genre
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| 653 |
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|a Motion pictures / History
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| 653 |
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|a Film genres
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Critical Theory
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| 653 |
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|a Film History
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| 653 |
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|a Philosophy, general
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| 041 |
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|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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| 856 |
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|u http://dx.doi.org/10.1057/9781137283528?nosfx=y
|x Verlag
|3 Volltext
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|a 791.4309
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| 520 |
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|a A unique study of four major post-war European films by four key 'auteurs', which argues that these films exemplify film modernism at the peak of its philosophical reflection and aesthetic experimentation
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