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161125 ||| eng |
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|a 9781137118516
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|a Dika, Vera
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| 245 |
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|a The (Moving) Pictures Generation
|h Elektronische Ressource
|b The Cinematic Impulse in Downtown New York Art and Film
|c by Vera Dika
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|a New York
|b Palgrave Macmillan US
|c 2012, 2012
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| 300 |
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|a XIX, 245 p
|b online resource
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| 653 |
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|a Film and Television Studies
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| 653 |
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|a Fine Arts
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| 653 |
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|a Performing arts
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| 653 |
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|a Performing Arts
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| 653 |
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|a Cultural and Media Studies
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| 653 |
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|a Motion pictures and television
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| 653 |
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|a Motion pictures / History
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Arts
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| 653 |
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|a Fine arts
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| 653 |
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|a Film History
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|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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|u http://dx.doi.org/10.1057/9781137118516?nosfx=y
|x Verlag
|3 Volltext
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|a 791.4309
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| 520 |
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|a Beginning in the late 1970's, a number of visual artists in downtown New York City returned to an exploration of the cinematic. They engaged cinematic movement, time, and the body in their work, and did so across mediums - utilizing not only film, but sculpture, drawing, photography, and performance. The cinematic impulse was evidenced in the high art of Jack Goldstein, Robert Longo, and Cindy Sherman, and in the film practices of "No Wave" filmmakers Amos Poe and Vivienne Dick, and the feature films of Kathryn Bigelow. Vera Dika considers the work within a greater cultural context and probes for a deeper understanding of the practice
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