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161125 ||| eng |
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|a 9781137096630
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| 100 |
1 |
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|a Ritzenhoff, Karen A.
|e [editor]
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| 245 |
0 |
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|a Screening the Dark Side of Love
|h Elektronische Ressource
|b From Euro-Horror to American Cinema
|c edited by Karen A. Ritzenhoff, Karen Randell
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| 260 |
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|a New York
|b Palgrave Macmillan US
|c 2012, 2012
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| 300 |
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|a XXIV, 256 p. 18 illus
|b online resource
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| 653 |
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|a Film and Television Studies
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| 653 |
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|a American Cinema
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| 653 |
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|a Motion pictures / United States
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| 653 |
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|a Sex (Psychology)
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| 653 |
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|a Emotions
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| 653 |
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|a Emotion
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| 653 |
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|a Cultural and Media Studies
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| 653 |
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|a Social psychology
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| 653 |
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|a Motion pictures and television
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| 653 |
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|a Motion pictures / History
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Sociology
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| 653 |
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|a Gender Studies
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| 653 |
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|a Gender expression
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| 653 |
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|a Film History
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| 653 |
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|a Personality and Social Psychology
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| 653 |
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|a Personality
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| 653 |
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|a Gender identity
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| 700 |
1 |
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|a Randell, Karen
|e [editor]
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| 041 |
0 |
7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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| 856 |
4 |
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|u http://dx.doi.org/10.1057/9781137096630?nosfx=y
|x Verlag
|3 Volltext
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| 082 |
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|a 791.4
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| 520 |
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|a How can love be understood globally as a problematic transgression rather than the narrative of "happy endings" that Hollywood has offered? The contributors utilize varying methodologies of textual analysis, psychoanalytic models, and cultural critique and engage with a broad range of films to explore issues of gender identity and spectatorship
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