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161125 ||| eng |
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|a 9780230355859
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| 100 |
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|a Grønstad, Asbjørn
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| 245 |
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|a Screening the Unwatchable
|h Elektronische Ressource
|b Spaces of Negation in Post-Millennial Art Cinema
|c by Asbjørn Grønstad
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| 260 |
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|a London
|b Palgrave Macmillan UK
|c 2012, 2012
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| 300 |
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|a XI, 213 p
|b online resource
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| 653 |
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|a Film and Television Studies
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| 653 |
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|a Ethics
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| 653 |
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|a Communication
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| 653 |
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|a Cultural and Media Studies
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| 653 |
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|a Motion pictures and television
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| 653 |
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|a Genre
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| 653 |
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|a Motion pictures / History
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Film genres
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| 653 |
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|a Media Studies
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| 653 |
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|a Film History
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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| 856 |
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|u http://dx.doi.org/10.1057/9780230355859?nosfx=y
|x Verlag
|3 Volltext
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|a 791.4
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| 520 |
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|a Tracing the rise of extreme art cinema across films from Lars von Trier's The Idiots to Michael Haneke's Caché, Asbjørn Grønstad revives the debate about the role of negation and aesthetics, and reframes the concept of spectatorship in ethical terms
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