Historical Reenactment From Realism to the Affective Turn

Since the late 1700s new forms of visual entertainment have tried to simulate the details of nature: reenactment has now become the most widely-consumed form of popular history. This book engages with the quest for definition and appropriate delimitation of reenactment as well as questions about the...

Full description

Bibliographic Details
Other Authors: McCalman, Iain (Editor), Pickering, Paul A. (Editor)
Format: eBook
Language:English
Published: London Palgrave Macmillan UK 2010, 2010
Series:Reenactment History
Subjects:
Online Access:
Collection: Springer eBooks 2005- - Collection details see MPG.ReNa
LEADER 01609nmm a2200385 u 4500
001 EB001269747
003 EBX01000000000000000884389
005 00000000000000.0
007 cr|||||||||||||||||||||
008 161125 ||| eng
020 |a 9780230277090 
100 1 |a McCalman, Iain  |e [editor] 
245 0 0 |a Historical Reenactment  |h Elektronische Ressource  |b From Realism to the Affective Turn  |c edited by Iain McCalman, Paul A. Pickering 
260 |a London  |b Palgrave Macmillan UK  |c 2010, 2010 
300 |a XI, 229 p. 12 illus  |b online resource 
653 |a Civilization / History 
653 |a Environment 
653 |a Historiography and Method 
653 |a Cultural History 
653 |a Performing arts 
653 |a Performing Arts 
653 |a History 
653 |a Social history 
653 |a Environment, general 
653 |a Historiography 
653 |a World History, Global and Transnational History 
653 |a Social History 
653 |a World history 
700 1 |a Pickering, Paul A.  |e [editor] 
041 0 7 |a eng  |2 ISO 639-2 
989 |b Springer  |a Springer eBooks 2005- 
490 0 |a Reenactment History 
856 4 0 |u http://dx.doi.org/10.1057/9780230277090?nosfx=y  |x Verlag  |3 Volltext 
082 0 |a 306.09 
520 |a Since the late 1700s new forms of visual entertainment have tried to simulate the details of nature: reenactment has now become the most widely-consumed form of popular history. This book engages with the quest for definition and appropriate delimitation of reenactment as well as questions about the relationship between realism and affect