Nanoscience and Cultural Heritage

This book aims to give state of the art in several domains of cultural heritage in which Nanosciences allow fundamental breakthrough. The first part of the book concerns nanostructured materials in ancient artifacts. Understanding their nature and formation processes bring new insight in the apprehe...

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Bibliographic Details
Other Authors: Dillmann, Philippe (Editor), Bellot-Gurlet, Ludovic (Editor), Nenner, Irène (Editor)
Format: eBook
Language:English
Published: Paris Atlantis Press 2016, 2016
Edition:1st ed. 2016
Subjects:
Online Access:
Collection: Springer eBooks 2005- - Collection details see MPG.ReNa
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100 1 |a Dillmann, Philippe  |e [editor] 
245 0 0 |a Nanoscience and Cultural Heritage  |h Elektronische Ressource  |c edited by Philippe Dillmann, Ludovic Bellot-Gurlet, Irène Nenner 
250 |a 1st ed. 2016 
260 |a Paris  |b Atlantis Press  |c 2016, 2016 
300 |a XVI, 311 p. 128 illus., 85 illus. in color  |b online resource 
505 0 |a Lustre and nanostructures - ancient technologies revisited -- Nano-crystallization in decorative layers of Greek and Roman ceramics -- Natural nanosized raw materials and Sol-Gel technology: the base of pottery since millenniums -- Informative potential of multiscale observations in archaeological biominerals down to nanoscale -- The science behind the daguerreotype: Nanometer and sub-micrometer realities on and beneath the surface -- Surface-enhanced Raman spectroscopy: using nanoparticles to detect trace amounts of colorants in works of art -- Nanoscale aspects of corrosion on cultural heritage metals. 
653 |a Nanochemistry 
653 |a Analytical chemistry 
653 |a Analytical Chemistry 
700 1 |a Bellot-Gurlet, Ludovic  |e [editor] 
700 1 |a Nenner, Irène  |e [editor] 
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520 |a This book aims to give state of the art in several domains of cultural heritage in which Nanosciences allow fundamental breakthrough. The first part of the book concerns nanostructured materials in ancient artifacts. Understanding their nature and formation processes bring new insight in the apprehension of technical level of ancient societies but can also inspire the design of new materials. The second part is dedicated to the understanding of materials. This crucial issue in material science today, for cultural heritage, needs to perform specific characterization techniques and technologies, but also to create tailored analytical strategies. Part three presents new methods, processes and materials at nano levels that can bring innovative solutions to conservation and restoration issues, linked with the understanding of the alteration processes involved at different scales