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160511 ||| eng |
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|a 9781137095541
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|a Jeffers, Jennifer M.
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|a The Irish Novel at the End of the Twentieth Century
|h Elektronische Ressource
|b Gender, Bodies, and Power
|c by Jennifer M. Jeffers
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| 260 |
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|a New York
|b Palgrave Macmillan US
|c 2002, 2002
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| 300 |
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|a XII, 207 p
|b online resource
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| 653 |
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|a Literature / Philosophy
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| 653 |
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|a Sex (Psychology)
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| 653 |
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|a Literary Theory
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| 653 |
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|a British and Irish Literature
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| 653 |
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|a Literature, Modern / 20th century
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| 653 |
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|a British literature
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| 653 |
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|a Literature
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Sociology
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| 653 |
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|a Twentieth-Century Literature
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| 653 |
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|a Gender Studies
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| 653 |
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|a Gender expression
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| 653 |
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|a Cultural Theory
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| 653 |
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|a Gender identity
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|a eng
|2 ISO 639-2
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| 989 |
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|b SBA
|a Springer Book Archives -2004
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| 856 |
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|u http://dx.doi.org/10.1007/978-1-137-09554-1?nosfx=y
|x Verlag
|3 Volltext
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|a 801
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|a The Irish Novel at the End of the Twentieth Century: Gender, Bodies and Power interprets a wide variety of the most interesting Irish novels of the last ten years of the century from a perspective that focuses on the regulated sexual and constructed gendered body. The demarcating line of identity-the perennial Irish problem-can be gauged at the basic level of sexual and gender identity in contrast to or in alliance with political, social, religious or cultural norms. All mechanisms that have gone into controlling the body-gender regulation, violence, desire, religious taboos-can all be reinterpreted through the body in motion
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