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180413 ||| eng |
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|a 9780191597503
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| 050 |
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4 |
|a ML3800
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| 100 |
1 |
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|a Goehr, Lydia
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| 245 |
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|a The imaginary museum of musical works
|h Elektronische Ressource
|b an essay in the philosophy of music
|c Lydia Goehr
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| 260 |
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|a Oxford
|b Clarendon
|c 1992, 1992
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| 300 |
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|a vii, 314 p.
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| 505 |
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|a Includes bibliographical references and index
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| 653 |
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|a Music / Philosophy and aesthetics
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| 041 |
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7 |
|a eng
|2 ISO 639-2
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| 989 |
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|b OUP
|a Oxford University Press
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| 028 |
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|a 10.1093/0198235410.001.0001
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| 856 |
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|u http://dx.doi.org/10.1093/0198235410.001.0001?nosfx=y
|x Verlag
|3 Volltext
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|a 780.1
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| 520 |
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|a What is the difference between a performance of Beethoven's Fifth Symphony and the symphony itself? Lydia Goehr combines philosophical and historical methods of enquiry to show that a historical perspective is indispensable to a full understanding of musical ontology
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