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180413 ||| eng |
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|a 9780199332458
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4 |
|a PA6021
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| 100 |
1 |
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|a Dufallo, Basil
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| 245 |
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|a The captor's image
|h Elektronische Ressource
|b Greek culture in Roman ecphrasis
|c Basil Dufallo
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| 260 |
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|a New York
|b Oxford University Press
|c 2013, c2013
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| 300 |
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|a 1 online resource
|b ill
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| 505 |
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|a Includes bibliographical references and index
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| 653 |
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|a Latin literature / History and criticism
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| 653 |
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|a Ekphrasis
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| 653 |
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|a Greek literature / Influence
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| 653 |
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|a Authors, Latin
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| 653 |
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|a Art, Greek / Influence
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| 653 |
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|a Civilization, Greco-Roman
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|a eng
|2 ISO 639-2
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| 989 |
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|b OUP
|a Oxford University Press
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| 490 |
0 |
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|a Classical culture and society / Classical culture and society
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| 028 |
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|a 10.1093/acprof:oso/9780199735877.001.0001
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| 856 |
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|u http://dx.doi.org/10.1093/acprof:oso/9780199735877.001.0001?nosfx=y
|x Verlag
|3 Volltext
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|a 870.922
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| 520 |
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|a The first book-length treatment of artistic ecphrasis at Rome, 'The Captor's Image' resituates a major literary trope deep within its hybrid cultural context, and argues for ecphrasis as a cultural practice through which the Romans sought, over some four hundred years of their history, to redefine Romanness both with and against Greekness
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