|
|
|
|
LEADER |
03694nmm a2200337 u 4500 |
001 |
EB000713373 |
003 |
EBX01000000000000000566455 |
005 |
00000000000000.0 |
007 |
cr||||||||||||||||||||| |
008 |
140122 ||| eng |
020 |
|
|
|a 9789400963153
|
100 |
1 |
|
|a Tymieniecka, Anna-Teresa
|e [editor]
|
245 |
0 |
0 |
|a The Existential Coordinates of the Human Condition: Poetic — Epic — Tragic
|h Elektronische Ressource
|b The Literary Genre
|c edited by Anna-Teresa Tymieniecka
|
250 |
|
|
|a 1st ed. 1984
|
260 |
|
|
|a Dordrecht
|b Springer Netherlands
|c 1984, 1984
|
300 |
|
|
|a XVII, 573 p
|b online resource
|
505 |
0 |
|
|a Myth and Tragic Action in La Celestina and Romeo and Juliet -- Du désordre à l’ordre: le rôle de la violence dans Horace -- The Act of Writing as an Apprehension of the Enigma of Being-in-the-World -- The Truth of the Body: Merleau-Ponty on Perception, Language, and Literature -- Fiction and the Transposition of Presence -- The Structure of Allegory -- Literary Impressionism and Phenomenology: Affinities and Contrasts -- Phenomenology and Literary Impressionism: The Prismatic Sensibility -- Un modèle d’analyse dy texte dramatique -- The Problem of Reading, Phenomenologically or Otherwise -- Index of Names
|
505 |
0 |
|
|a The Existential Sources of Rhetoric: A Comparison Between Traditional Epic and Modern Narrative -- Metaphor and the Flux of Human Experience -- The Literary Diary as a Witness of Man’s Historicity: Heinrich Böll, Karl Krolow, Günter Grass, and Peter Handke -- The French Nouveau Roman: The Ultimate Expression of Impressionism -- The Birth of Tragedy out of the Spirit of Music: Claudel, Milhaud and the Oresteia -- Tragedy and the Completion of Freedom -- Hardy’s Jude: The Pursuit of the Ideal as Tragedy -- Values and German Tragedy 1770–1840 -- La Destinée de la tragédie dans la culture Islamique -- Toward a Theory of Contemporary Tragedy -- The Re-emergence of Tragedy in Late Medieval England: Sir Thomas Malory’s Morte Darthur -- Tragical, Comical, Historical -- The Denial of Tragedy: The Self-Reflexive Process of the Creative Activity and the FrenchNew Novel -- Tragic Closure and the Cornelian Wager -- Intuition in Britannicus --
|
505 |
0 |
|
|a Aesthetic Enjoyment and Poetic Sense. Poetic Sense: The Irreducible in Literature -- Movement in German Poems -- Why be a Poet? -- The Field of Poetic Constitution -- The Poet in the Poem: A Phenomenological Analysis of Anne Sexton’s ‘Briar Rose (Sleeping Beauty)’ -- Nature, Feeling, and Disclosure in the Poetry of Wallace Stevens -- “Fallings from us, Vanishings ...”: Composition and the Structure of Loss -- Poetic Thinking to Be -- From Helikon to Aetna: The Precinct of Poetry in Hesiod, Empedokles, Hölderlin, and Arnold -- What Can the Poem Do Today? The Self-Evaluation of Western Poets after 1945 -- Poetry as Essential Graphs -- The Shield and the Horizon: Homeric Ekphrasis and History -- The Myth of Man in the Hebraic Epic -- On Medieval Interpretation and Mythology -- The Epic Element in Japanese Literature -- A Long Day’s Journey into Night: The Historicity of Human Existence Unfolding in Virginia Woolf’s Fiction --
|
653 |
|
|
|a Language and languages / Style
|
653 |
|
|
|a Phenomenology
|
653 |
|
|
|a Science / Philosophy
|
653 |
|
|
|a Phenomenology
|
653 |
|
|
|a Stylistics
|
653 |
|
|
|a Philosophy of Science
|
041 |
0 |
7 |
|a eng
|2 ISO 639-2
|
989 |
|
|
|b SBA
|a Springer Book Archives -2004
|
490 |
0 |
|
|a Analecta Husserliana, The Yearbook of Phenomenological Research
|
028 |
5 |
0 |
|a 10.1007/978-94-009-6315-3
|
856 |
4 |
0 |
|u https://doi.org/10.1007/978-94-009-6315-3?nosfx=y
|x Verlag
|3 Volltext
|
082 |
0 |
|
|a 501
|