Handbook of Recording Engineering

John Eargle's 4th edition of The Handbook of Recording Engineering is the latest version of his long-time classic hands-on book for aspiring recording engineers. It follows the broad outline of its predecessors, but has been completely recast for the benefit of today's training in recordin...

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Bibliographic Details
Main Author: Eargle, John M.
Format: eBook
Language:English
Published: New York, NY Springer US 1992, 1992
Edition:2nd ed. 1992
Subjects:
Online Access:
Collection: Springer Book Archives -2004 - Collection details see MPG.ReNa
Table of Contents:
  • Section 1. Acoustical Foundations in Recording
  • 1. Principles of Physical Acoustics
  • 2. Psychological Acoustics
  • 3. Characteristics of Performance Spaces
  • Section 2. Microphones
  • 4. Basic Operating Principles of Microphones
  • 5. Derivation of Microphone Directional Patterns
  • 6. Environmental Effects and Departures from Ideal Microphone Performance
  • 7. Stereo and Soundfield Microphones
  • 8. Microphone Electrical Specifications and Accessories
  • Section 3. Fundamentals of Stereophonic Recording
  • 9. Two-Channel Stereo
  • 10. Multichannel Stereo
  • Section 4. Recording Systems: Architecture, Metering, and Monitoring
  • 11. Recording Consoles
  • 12. Signal Metering and Operating Levels
  • 13. Monitor Loudspeakers
  • 14. Control Rooms and the Monitoring Environment
  • Section 5. Signal Processing
  • 15. Equalizers and Filters
  • 16. Compressors, Limiters, and Noise Gates
  • 17. Reverberation and Signal Delay
  • 18. Special Techniques in Signal Processing
  • Section 6. The Recording Medium
  • 19. Analog Tape Recording
  • 20. Encode—Decode Noise Reduction (NR) Systems
  • 21. Digital Recording and Signal Processing
  • Section 7. Studio Production Techniques
  • 22. Classical Recording and Production
  • 23. Popular Recording and Production
  • 24. Recording the Spoken Voice
  • Section 8. Post-production Techniques
  • 25. Principles of Music and Speech Editing
  • 26. Music Preparation for Commercial Release
  • 27. Overview of Sound for Film and Video
  • Section 9. Consumer Formats for Recorded Sound
  • 28. The Stereo Long-Playing (LP) Record
  • 29. Recorded Tape Products for the Consumer
  • 30. The Compact Disc (CD)
  • 31. Digital Audio Tape (DAT)
  • Section 10. Commercial and Operational Aspects of Recording
  • 32. Recording Studio Design Fundamentals
  • 33. Studio Operation and Maintenance
  • Index I.