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120126 ||| eng |
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|a 9780230250543
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|a Tay, Sharon Lin
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|a Women on the Edge: Twelve Political Film Practices
|h Elektronische Ressource
|c by Sharon Lin Tay
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|a London
|b Palgrave Macmillan UK
|c 2009, 2009
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| 300 |
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|a XI, 211 p. 8 illus
|b online resource
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| 653 |
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|a Intellectual Studies
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|a Feminism
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|a Film and Television Studies
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|a Communication
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|a Sex (Psychology)
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| 653 |
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|a Cultural and Media Studies
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|a Motion pictures and television
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|a Motion pictures / Production and direction
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| 653 |
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|a Culture / Study and teaching
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| 653 |
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|a Sociology
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| 653 |
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|a Media Studies
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| 653 |
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|a Gender Studies
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| 653 |
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|a Gender expression
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| 653 |
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|a Intellectual life / History
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| 653 |
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|a Feminist theory
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|a Directing
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|a Gender identity
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|a eng
|2 ISO 639-2
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| 989 |
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|b Springer
|a Springer eBooks 2005-
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|u http://dx.doi.org/10.1057/9780230250543?nosfx=y
|x Verlag
|3 Volltext
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|a 791.4
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|a Women on the Edge re-envisions women's cinema as contemporary political practices by exploring the works of twelve filmmakers. Moving on from the 1970s feminist adage that the personal is political, Sharon Lin Tay argues that contemporary women's cinema must exceed the personal to be politically relevant and ethically cogent
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